Lightning Bolt & the Ghost Kid

Digital coloration and enhancement of a Lightning Bolt & the Ghost Kid sketch

Lightning Bolt and the Ghost Kid are among my favorite creations for several different reasons. First off, they were born from ridiculous origins. From within the pages of My Book of Drawings 2 came Shnono Man and Boo Boy. These were two characters who were meant to be parody of superheroes, utilizing a facial expression used by myself and my best friend Jamin Sponaugle. Nothing about this was meant to be serious. It was just a silly drawing I did to amuse myself. I wish I could explain the names, but to my recollection, “shnono” was some goofy word we came up with.

In My Book of Drawings 3, I drew the NEW Shnono Man and Boo Boy wearing new costumes and now flying high in the sky for no particular reason than because. However, the idea to create actual heroes came about one day while looking at the drawings. Superheroes were a thing I loved. And while I had created heroic characters, none were really concealed behind secret identities. So, why not attempt that style of hero?

Looking back on the original parody, I would guess I landed on the name ‘Lightning Bolt’ due to the symbol on Shnono Man’s chest looking like a bolt of lightning. The Ghost Kid is obvious. Looking at the original drawing, which was also created in My Book of Drawings 3 I don’t think I had any ideas on a story. It was just a serious take on a silly drawing. Also, in the original drawing, I drew some villainous character lurking in a sub under the water since (for some reason) Shnono Man was running on a dock. A similar (if not the same) character appears in the “NEW” version as well. I wish I could remember why this became my villain of choice, but whatever it was, I committed to it with Bolt and Kid. When I considered rebooting the characters, I had created a new collection of criminals, reminiscent of these “cyclops balls.”

While I look back at the concept art with some fondness, I also wonder sometimes why I believed in these ideas so much. At this point of my life, I can see the makings of an amazing narrative. I guess in my youth I could still see it, but my impulsiveness led to sloppy storytelling. It was as though I had good ideas but would always take the simplest route to make them work.

Let me explain the Cyclops Balls. They were these alien-like creatures that were terrorizing the New York City, yet I never explain what they are or how they got there. In fact, it is clear from the outset that they are well-established in the city as a criminal organization. Because no one seems freaked out by them. Of course, no one seems freaked out by a ghost either. I have to believe I was inspired by something that lead to their creation. Unfortunately, I don’t remember specifically what that inspiration was. The only possible source I can think of was a game on the Super Nintendo called Super Face Ball. And while the idea of these villains was truly concocted during the “Shnono Man and Boo Boy” phase, I still felt compelled to use them. I didn’t have to. But I did which probably lead to even wilder encounters in the future. But we’re getting ahead of ourselves.

Returning to my earlier statement about improving my narrative skills, you’ll eventually note that this cameo and subsequent cameos were just laying the foundation for something bigger. Something I could have easily rushed to immediately but I didn’t. Furthermore, the meeting of these heroes felt less novel now. So, creating a big event story like The Team-Up of the Century didn’t feel necessary. It felt appropriate to hold off and reveal the intent later on.

I wish I had expanded Lance’s cameo more since his introduction into this universe is less traditional than usual. But I don’t feel as though he was that well-developed at this point either, so that may have been a factor.

It became evident by the end that the first five issues of Lightning Bolt & the Ghost Kid were meant to not only establish them, but also establish their relationship with the other characters to form The Destructors. While the duo did move on to The Destructors and were fairly prominent there, I still had other ideas for these characters in their own series. Surprisingly, I had more ideas for them than I ever did for any of my other characters. This may have been due to the fact that they were more traditional. One of those ideas was a story that should have been issues #6 and #7 of Lightning Bolt & the Ghost Kid, not issues #4 and #5 of The Destructors.

Sketches of Bones (2022)

The reason that I bring it up here is that story arc introduced a new character: Bones. In My Book of Drawings 3, one page features a quickly sketched Boo Boy and below him was a character dubbed Skel E. Ton. This was obviously meant to be as absurd as Boo Boy. And even though I drew it in jest, I began wondering how I could adapt that character into a hero as well. This led to a story where the Ghost Kid begins pondering the details surrounding his death. To investigate, he decides to reanimate his corpse for help. Thinking about this idea in retrospect does paint it as a bit disturbing. However, I believe the idea behind it comes from hoping the physical version of Ricky could possibly remember details that the Ghost Kid could not. But this is a story for another area of the website.

After introducing Bones and adding him to the Destructors team, it would feel as though he would only be featured prominently in The Destructors. However, when the time came to write the second series, I decided to add Bones into the mix and even rename the series Lightning Bolt, the Ghost Kid, and Bones. It’s a bit wordy. Now a trio, the heroes would next face a new threat from beyond the stars… even though the Cyclops Balls are aliens. A fact that I establish some years later.

THE ALIEN KNIGHTS SAGA

I’m not sure where the initial idea for the Alien Knights came from. If I had a guess, I came up with the name and thought it sounded cool. So, I went out of my way to create these new characters. From there, since Lightning Bolt and the Ghost Kid needed some new villains, I decided to create a seven-part story around them. And while the narrative for this story still leaves much to be desired, you can start to see small improvements in both the writing and the art. But as I said, it still leaves much to be desired.

Lightning Bolt, the Ghost Kid, and Bones: The Alien Knights cover page

The inspiration for three of designs for the Alien Knights came from one of my favorite movies at that point in my life. Ghoulies III: Ghoulies Go to College was a film I probably shouldn’t have been watching at 12 years old, but I did and it resonated with me for some bizarre reason. In fact, looking at the dark comedic nature of that film, it could explain several narrative choices I’ve made elsewhere. In any case, I used the designs of the three titular Ghoulies for three of the Alien Knights. The last two seemed to be Hail Mary, hoping to find new designs that would stick.

One aspect about the Alien Knights that I always look back on with disappointment is how I never gave them proper costumes. Most of them look like they are wearing jackets, and others looking like they are wearing t-shirts. With deeper reflection, I would have loved to put them in space suits from 1950s-era science fiction movies. It would have been a nice throwback look while giving them a proper uniform.

While I usually lament that I cannot remember the sources of certain inspirations for characters or story ideas, there is no question about the inspiration for the final chapter in this story. There was a phase in my life where I was obsessed with the movie Gremlins 2: The New Batch. This film did things I had never seen in a sequel before. Not least of which was introducing the audience to a wide variety of gremlins. I wanted nothing more than to emulate this idea, and for whatever reason, this is the story I chose to do it.

I’m not sure why I ended The Alien Knights Saga with a sense of finality. I was not planning to retire the characters. All three were still active in the Destructors, so it’s not like I made them vanish. I think at this particular moment, I was unsure if I was planning to continue their comic. As I mentioned before, most of my characters shifted over to The Destructors because it just made things easier from a narrative standpoint. Eventually, a new story idea came about that led to the decision to continue their series a bit longer.

Since Lightning Bolt and the Ghost Kid had primarily fought aliens, I thought it could be fun to mix things up with an interdimensional threat. I sketched out basic shapes with a glow surrounding them that could then transform into a monstrous version of the person they copied. I feel like this idea came to me when I was writing the Overturn story of The Alien Knights Saga. When he transforms into each character, the designs are very similar, if not identical, to these new villains. Regardless, I developed a story where these interdimensional beings would ruin the reputation of our heroes. While I probably did not succeed, The Dimension Twins arc proved to me that there were more stories to be told with these characters.

While this wasn’t my best era of my art style, I do feel as though I was phoning it in a little with this one. Sure, I’ve cut corners before to the point where the story is incomprehensible, but the art just looks a bit sloppier than usual. At least I think it does. Maybe I was having an off day.

Whatever it may have been, I am acutely aware of the driving force behind this idea. While I can’t remember what specifically I watched or read, I had plenty of influential material where a hero is blamed for something they didn’t do. None of my heroes had dealt with that type of backlash before. I always assumed people would love superheroes and would celebrate them if they existed. But time has shown me that the Marvel approach to superheroes is probably more accurate.

I feel like the revelation that they were in China based on the appearance of a Chinese takeout box could be perceived as racist. Is it racist? I’m not the one to ask. And it certainly was not my intention. I wrote this at a point in my life when I was completely uncultured. We didn’t have Chinese restaurants in our town. Hell, I couldn’t tell you how far out we would have had to go just to find one. Needless to say, Smith County, Tennessee was fairly uncultured back then. Ironically, it still is to this day.

Cover of Superman #76 (1993)

I find it interesting that in the face of a creative challenge like creating a foil for your hero, we as creators seemingly default to characters not that dissimilar to that of the hero. While the Cyclops Balls, Alien Knights, and Dimension Twins were absolutely bizarre villains for this type of hero, they were wholly unique in their own way. The Weatherman feels like a villain more inline with typical comic book tropes. If you look at a character like Spider-Man, most of his villains are animal-themed. But then I consider Batman and his rogues, and they don’t typically fall under the same umbrella, even though there are plenty of animals in that mix. I guess I’m disappointed in myself for not thinking about a better villain.

I’m surprised it took eighteen stories to get to the doppelganger episode. The bad version of the good guy is the easiest villain to come up with. Writing it well is the tricky part. I thought making Thunder Harold’s brother would add some interesting drama to the mix. And it very well could have had I focused any portion of the story on explaining why Jeffrey had a chip on his shoulder. Clearly his sister Lisa had no hard feelings against him. So, what was Jeffrey’s problem?

We should also address how Jeffrey and Lisa even have powers. Well, if you recall WAY back in issue #1, Harold was just struck by lightning and he had powers. At one point in time when I couldn’t come up with great origins, I just went with the most basic idea. Like Peter Parker being bit by a radioactive spider. Or Hal Jordan being given a powerful space ring. Here, a special lightning bolt gave Harold Cane powers, and he chose to use them as a superhero. So, a similar lightning bolt strikes near Jeffrey, imbuing him with similar powers. That was my rationale. I guess Lisa was just infected by the energy when Jeffrey rescued her.

I’m surprised how quickly I went back to the Weatherman to be the story’s foil. I would imagine it was because I had the “clever” idea to make him control the weather naturally, as opposed to it being a machine. Why I felt this to be necessary for the character is unclear to me. I also do not understand why I chose to have a random selection of heroes and villains just cameo for no other reason than to beat the shit out of the Weatherman. I also feel like the comical exchange at the end was rooted in a real conversation. Just another bizarre entry.

This particular issue was, at one time, planned to be the introduction of a new villain: Trixter. Clearly, he was meant to be a severe threat. However, as I began developing the character, I realized he could be much more than a throwaway villain in this comic series. That eventually lead to the development of three different stories featuring the character and several more ideas for sequels. All of which can be found on a different page that has yet to be published. But it will be soon.

Original concept art for Lightning Bolt #20

I would assume since I didn’t follow through with that idea is why I chose instead to bring back one of the bigger threats. Even though they were much less of a threat this time around. I also realized that Bones had been absent since the end of the Dimension Twins arc. Not sure why I did that but his appearance did change between stories. I also love the addition of Lightning Bolt cowl radio. Now, follow my teen logic here. Cellphones were not a things. Radio communication requires towers and signals. So, for Lightning Bolt to communicate back to the cave, he needs a dedicated satellite. I envisioned this small, portable satellite coming out of his horn, along with a microphone. Never once thinking in a realm of fantasy and advanced technology. No, this had to be the thing that had to remain realistic. Not sure why I had this need to base something in reality when pure fiction gives you so much more freedom.

If you didn’t know what my formal education was, you’d think I went to the school of melodrama. Bones “dying” is yet another example of theses big events occurring in my comics, but never earning those moments. There was no narrative reason for Bones to “die” or even go into hibernation which is basically what’s happening. I will say that I dug Thunder’s boulder attack. That was pretty inventive idea. I should wait to write until I have a few more next time.

I also want to bring up this odd choice I made to whiten Harold Cane’s eyes. For anyone who is a comic book fan, most characters who wear masks are drawn with white eyes. While I have no reason to point to as to why this trend started, I would assume it was a stylistic choice that just looked pretty damn cool. When comic book characters were brought to live-action, having white eyes in the mask maybe wasn’t impossible, but perhaps improbable. Like most things starting out, it wouldn’t look good or at least that was the argument. Fast forward to 2016 and Deadpool has white eyes in the movie. They finally cracked the code. So, what about my guy.

Well, my logical thinking was if he was going to have white eyes with the mask on, he needed to have white eyes with the mask off. Never mind the fact that the public at large would see two eyes that look like nothing but sclera. That never registered. Only what needed to make sense logically. You can even see the transition in issue #14 where I wrote it the change into the story. Eventually, I abandoned it.

I’m not sure why I had this bad habit of not introducing characters. It’s bad enough when it’s one character, but I introduced six in this story. I knew I had a drawing with their names somewhere and here it is. I was also working on a redesign for Bones.

I said there were six unnamed characters introduced in this story but there is still one more unnamed character. That particular character actually appeared issue #19, in that cavalcade of characters that just showed up inexplicably and is named Xerox. He was named this for the very reason you would think. However, I didn’t realize that Xerox was a brand, and that this would be a difficult name to use should I want to publish stories featuring these characters. But since I’m not currently, I’m not too concerned about renaming him. Hell, his whole creation was based on the idea just being cool to me.

I also want to note the change in art style. While I can’t say for 100% certainty, I would almost bet that I stopped writing this story during my transition to a new style, and then came back to it to finish. Why I stopped is unclear, but I would say that I came down with a case of writer’s block.

I’m surprised that I incorrectly misnumbered these issues. I think that proves even more to me that I stepped away for an extended break during the writing of the previous comic. Furthermore, I would even say that I took a break during the writing of this comic as well, as the art style shifts again on the second page, becoming more refined. Plus, it looks like I sharpened my pencil for the rest of the comic, so that was nice.

I also want to address the ending of this comic. As I wrote the summary for several comics, I noticed some of the stories ended somewhat abruptly. This particular issue ended VERY abruptly with an entire planet being destroyed. Feels like there should have been more build up to such a thing. But something tells me that I couldn’t think of any more story, so I rushed the ending to fit it on this page. Not sure why I did that exactly. It’s not like there was a paper shortage or anything. Guess I was trying to keep things uniform.

Lightning Bolt, The Ghost Kid, and Bones #24
The Ghost Kid presents Bones with a special helmet designed for protection, but also to heal that face of his. Bones digs the new look. He then asks where Harold is and the Ghost Kid tells him at the store. At the store, Harold is doing some shopping and runs into an old friend: Mary Peterson.

It’s clear that I was ready to end this series, considering this was marked to be the final episode. It’s just unfortunate I didn’t write a proper send-off for the series. I still could, I suppose. Lightning Bolt and the Ghost Kid was my longest running solo series. However, the older I got and life around me started to change, it was becoming harder to write more than one comic. So, I opted to end all of my other series’ and focus solely on The Destructors. Many great ideas were spawned from this series that I carried over to The Destructors. In fact, the characters of Ghost Kid and Bones became integral in keeping the Destructors name alive and well in the future. But that’s a story for another page.

THE CLASSIC ISSUES

SKETCHES AND OTHER ARTWORK

THAT’S ALL FOLKS!