Crossovers

I love a good crossover. The idea of two characters that exist separately suddenly being thrust together by a number of circumstances can be tons of fun. It can also be incredibly frustrating when executed poorly. Naturally, as I began expanding my comic book universe and watching all of my creations come together, I started to think about my comic book characters meeting other comic book characters. Those ideas led to a number of different sketches and concept art. But they also prompted me to write a few crossovers of my own.

On this page you will find a number of crossover stories that I did write to completion, along with a few that I didn’t, as well as numerous concept art for the crossovers I never got around to.

SPIDER-MAN MEETS STEPHEN W.

First sketch featuring Spider-Man and Stephen together.

Anyone that knows me should not be surprised to learn that the first crossover story that I ever wrote featured Spider-Man and my comic book counterpart. In fact, the very first crossover sketch I did was of Stephen and Spider-Man together. At this particular time in my life, I wore my love for Spider-Man on my sleeve. I was actively reading every series at the time, and was a huge fan of the animated series that ran from 1994 to 1998 on Fox Kids.

At some point after drawing the two of them together, I genuinely started to consider a narrative that would bring them together. The animated series inspired me to use the Kingpin as the main Marvel villain since he could be operating on a larger scale. Since he is normally seen hiring goons for his tasks, I figured that he could have ties to one of my villains. So, Jake Storm aka The Oversear (that’s spelled correctly) became that guy and his team of other villains could be hired to take out Spider-Man. After coming up with that baseline plot, I just ran with it.

The title of this one throws me when I actually see it because I refer to it as Spider-Man meets “S”. I would say that I hadn’t officially committed to calling him “S” just yet, but that’s not true when you read the story. Anyway, the story begins in New York City at Fisk Tower. Wilson Fisk is chatting with an old acquaintance, Jake Storm, a lead supervillain that operates under the alias the Oversear in the group the Evil Leaders. Jake inquires what the invitation was about. Fisk tells him that he needed to turn to a true friend to help him take down one of his greatest nemesis: Spider-Man. Meanwhile Spider-Man is swinging through New York City, and Stephen is roaming the streets. Stephen makes a comment about New York City, as if he had never been here. But he has, in fact, visited before since his teammates Lightning Bolt and the Ghost Kid are from New York City. How would Lightning Bolt not know about Spider-Man? Doesn’t matter. Let’s move on.

Stephen comes across a woman being mugged, so he quickly changes into his hero-ing outfit and kick a guy in the face. Spider-Man appears and webs another criminal’s head. Upon seeing Spider-Man, the crooks flee. Stephen speaks the name aloud, causing Spider-Man to ask who he is. Stephen tells him he goes by “S” and they part ways. That final frame on that page is one of my favorites. Best perspective shot I’ve ever done.

I want to go ahead and address the contrasting art styles that you will observe throughout. At that time, I knew for a fact my art style was not on par with that of the artists working for Marvel or DC. That absolute fact almost prevented me from writing this story at all. However, since I had numerous Spider-Man comics to reference, I chose to find panels that accurately reflected the action I wanted. From there, I would do my best to draw it within the confines of my own panels. I’ve drastically improved my Spider-Man sketches, so such a technique wouldn’t be warranted today. But I love that I did it since I feel it elevates this comic to another level.

Later that day, Bearing Claws finds a remnant of Spider-Man’s webbing. Jake orders Thunder to search the neighboring areas. Meanwhile, Stephen is still walking the streets of New York. He notices a shadow float past him, causing him to look up where he sees Thunder. He immediately pursues him and confronts him on the roof of a nearby building. But Thunder attacks Stephen and then disappears. At that moment, Spider-Man’s spider sense starts to tingle when Thunder attacks him. Spider-Man is caught off-guard. not seeing who took the shot. As Thunder calls him out, Spider-Man kicks him from behind while he asks who Thunder is. Thunder responds before getting a web to the face and then kicked off the building by Stephen.

With the danger out of the way, Spider-Man and Stephen have a discussion regarding why Thunder would be after him. Spider-Man deduces that his old rival, Wilson Fisk could be behind it all. He then mentions that Fisk is being honored as the Man of the Year tomorrow. Stephen tells Spider-Man he will be there since that might lead him to the rest of the gang. The next day at the honoring of Wilson Fisk, Stephen is on a nearby payphone speaking with his wife, who is back in Los Angeles. He tells her what leads he had found and hopes not to be much longer. Peter Parker is in the crowd taking photos for the Daily Bugle, while being frustrated by that he has to do it in the first place. He soon observes a few faces he is unfamiliar with.

Peter takes note of three faces he has never seen before, standing in Wilson Fisk’s orbit. He deduces that those men might be who Stephen is looking for. As Peter wonders where Stephen is, he coincidentally bumps into him. As they exchange pleasantries, Wilson Fisk is brought to the stage. Stephen spots the Evil Leaders and decides to make a move. As the event ends and people begin to disperse, Stephen heads behind the stage and sneaks up on another member, Transformer, to knock him out. The other members walk backstage and find Stephen waiting for them. He asks what they are up to, but answer with a blast from Thunder. Peter’s spider-sense goes off as the Evil Leaders escape. Spider-Man swoops in to see what is happening but instead just finds Stephen. Stephen informs Spider-Man that he knows what’s going on now, and that he has a plan to stop it. That night, Thunder locates more of Spider-Man’s webbing. Jake tells him to follow the plan as usual. Jake then takes a moment to ensure the Kingpin that they will be successful. Thunder lands in a nearby warehouse, searching for Spider-Man, only to find Stephen.

I’m so disappointed that I referred to Peter as a reporter for the Bugle, when I know damn well he’s nothing more than a freelance photographer. But teenage brain, only half paying attention… I guess I can see why I said “reporter.”

As Stephen and Thunder go to fight, Spider-Man drops in and webs up Thunder. Stephen interrogates him in an attempt to learn where his teammates are. Thunder points them to a warehouse down Main Street. I don’t know if Main Street in Queens even has a warehouse. The duo head in that direction and find a warehouse where Thunder said it would be. Upon entering, Stephen realizes something isn’t right. As Spider-Man’s spider-sense goes off in a mad panic, Stephen sees a bomb on the wall and it explodes. Spider-Man returns to the wreckage and assumes Stephen is dead. However, an arm bursts through the wreckage, so Spider-Man lends a hand. As he pulls the body up, he sees Stephen but looking different. Stephen, now as Super “S”, explains how his powers work, and then declares it’s time to end things. They head towards Fisk Tower, and capture Transformer upon arrival. They then crash through the ceiling and make their presence known.

The Kingpin orders the Evil Leaders to kill Spider-Man and Super “S”. Bearing Claws comes after Super “S” but he hops over his head. Spider-Man webs up the Oversear, and then smashes Bearing Claws’s head into the floor, knocking him out cold. Spider-Man then turns to Super “S” and asks about Fisk. Super “S” tells him that Fisk got away. The next day, the duo say their goodbyes and hope to see each other in the future. END

It was so surprising reading over this title that it was fairly coherent. There weren’t any giant leaps in logic, even though I will say that the warehouse explosion bit was shoe-horned in to reveal Super “S”, which was a super-powered version of the character I created around this time. For the most part, it’s not a bad story. It could use a bit more in the narrative department. Maybe understanding the deeper ties between Fisk and the Oversear. Maybe the Evil Leader are in town for something else entirely that doesn’t involve Spider-Man. There are possibilities. I just wish I would have explored them just a bit longer.

The fact I even finished this story is something that I am proud of. I know it was not an easy task, at least in regards to the artwork. I know that I had considered remaking this comic at one time, and I’m pretty sure I have some pages from it as well. I’ll post them when I find them.

SPIDER-MAN / SUPER “S”: SYMBIOTE CARNAGE

I’m not sure how long it was before I came up with an idea for a sequel for Spider-Man and Stephen. I know that I wanted to find a way to flip the script in a manner of speaking. Since Stephen was outside of his element in the first story, I thought it could be fun to make Spider-Man the outsider. And since Venom had his own series and operated out of San Francisco, it felt close enough to utilize the character to bring in Spider-Man. Venom was fairly new to comics at this time, as was his more vicious spawn, Carnage. Carnage felt like a perfect villain to utilize since he’s a pretty deadly threat. And since we were playing with symbiotes, what if someone else just happened to get infected with the symbiote? Those were enough ideas to get the ball rolling.

Introduction. Credits. Title. We immediately jump into some action in a lab in San Francisco. The lab is being raided by other symbiotes. But those symbiotes are then attacked by Carnage. In Los Angeles, the emergency alarm is sounding off at the Destructors headquarters. The Ghost Kid pulls up a report as Stephen enters the room looking for an update. The Ghost Kid directs him to a government-owned facility where something weird is happening. Stephen takes a small team of Destructors to check it out. Upon arriving, they assess the damage and find survivors. Stephen orders the team to gather up the survivors. As they prepare to leave, Stephen finds a small piece of a black substance on the ground. He picks it up and places it in his pocket.

In New York City, Peter Parker has gotten word about what happened at this facility and thought it had been destroyed by Venom. He is concerned that this facility is making more symbiotes, and feels responsible for stopping it. So, he heads for California. Back in Los Angeles, the Ghost Kid and the Monster are treating the victims from the lab. The Ghost Kid gives Stephen their status with him asking for updates as they occur. Stephen retires to his room to examine the black substance he found and put it away.

While I refer to the facility as a “lab” and as “government-owned” which it very well could be, I believe the facility was meant to be the Life Foundation, which was an organization introduced in the limited series Venom: Lethal Protector. In that series, the Life Foundation was able to extract some of Eddie Brock’s symbiote and accelerate its growth onto a new host. While I read some of the series, I never had it all. So, I had fragments of information I was working from to concoct this narrative to have more symbiotes. What do you want from me? I didn’t have internet!

Carnage is killing an innocent bystander when Venom finds him. Venom goes to attack, but Carnage begins pulling Venom’s symbiote from his body. Meanwhile at San Francisco International Airport, Peter arrives in town. He quickly suits up and begins his search for Venom. Back at the Destructors headquarters, the Monster and the Ghost Kid are checking on their recovering patients. The Ghost Kid begins asking about the facility which leads to some incredibly detailed exposition about Venom, Carnage, the symbiotes, and events these people shouldn’t know.

Some time later at a park in Los Angeles that we will assume is Grand Park, Stephen is out for a jog. While he’s running, he happens to spot Spider-Man web-swinging through the area. So he shouts at him to get his attention. Spider-Man is surprised to see him, as much as Stephen is to see him and asks what he’s doing in L.A. Spider-Man mentions an enemy he’s tracking. Stephen makes an educated guess that this could be related to the lab incident and Spider-Man confirms as much. Stephen offers his assistance, to which Spider-Man gives him a spider-tracer to help track him down should he need some help. That night, Stephen finally decides to let the Ghost Kid take a look at the black substance.

As a kid, I had a basic understanding of distance relative to where I existed. Having never been to California at that time, it never would have occurred to me that it was at least a six-hour drive to San Francisco to Los Angeles, and for Spider-Man to make that distance in a relatively short amount of time is damn near impossible. I guess we could assume more than a day had passed. All the more reason I should make these notes in the comic.

As Stephen goes to grab the substance, it reveals itself to be a symbiote and wraps itself around Stephen, creating a unique outfit. Stephen is confused by what is happening but can feel the changes it’s making. He soon realizes he can control the suit with his mind and then decides to give it a test run by swinging through the city all night. He returns home the next morning, mentally puts the suit away and crawls into bed. Carnage is out and about doing murders again when Spider-Man arrives to stop him. Spider-Man kicks Carnage in the face, dodges his symbiote blades, and then lures Carnage to a nearby construction site. Spider-Man waits for Carnage to lunge at him when he dodges to trap him inside a metal shed. Spider-Man webs the door shut and then bangs on the side, causing a loud, vibrating noise to harm the symbiote. The Destructors emergency alarm sounds again. Stephen pulls up the monitor to find Carnage back on the rampage.

Stephen deduces that THIS is who Spider-Man was after, so he suits up to confront him. Moments later, Stephen confronts Carnage who seems confused. Carnage asks where Stephen acquired his symbiote, and Stephen tells him from the lab he destroyed. Carnage takes that as an offer to take it back and attempts to, but Stephen shakes him off. He rushes over to Carnage, lifts him in the air, tosses him directly into a nearby fire (?), and then heads off. Meanwhile, Peter is reading through the local newspaper, trying to figure out how he is going to stop Carnage. He soon stumbles upon an article that mentions Eddie Brock bein hospitalized. Peter immediately heads to the hospital where he is being held and attempts to visit him. Unfortunately, he is not being allowed visitors. So, Peter takes it upon himself to sneak into Eddie’s room via the window. Upon seeing him, he realizes that Brock no longer has his symbiote and will need to contact Stephen to stop Carnage and save Brock.

Spider-Man kidnaps Brock from the hospital. He tracks his spider-tracer signal to the Destructors headquarters where he is greeted by Melanie, Stephen’s wife. Spider-Man asks them to help Eddie, so Stephen takes him to their infirmary. The Ghost Kid gets Eddie set up and examined. He tells the room that Eddie is on the brink of death. One of the former symbiote hosts speaks up to say that the only way to save Eddie is to bring the symbiote back to him. Spider-Man agrees and says that he and Stephen will take care of it. As they go to talk strategy, the Ghost Kid offers up an option. He hands them a sonic wave disruptor, even though I think he meant to say “emitter.” The Ghost Kid mentions that he has Carnage’s location marked. Stephen suggests that he take a mini-jet and distract Carnage long enough for Spider-Man to sneak up on him with the sonic emitter. Moments later, Stephen finds Carnage and confronts him. Carnage thinks Stephen got rid of the symbiote, but is quickly proven wrong as they begin to clash. As Spider-Man swings into the area, he notices that Stephen has a symbiote and questions how, but realizes that’s a topic for later and activates the sonic emitter.

The sonic emitter affects Carnage and Stephen. Stephen’s symbiote reaches through the sonic waves and destroys the emitter. Stephen goes to jump back in the fight when Carnage slashes his face and takes off. Spider-Man checks on Stephen and learns about his ability to heal, comparing it to that of Wolverine. Spider-Man then stresses to Stephen that the symbiote is not a good thing and needs to get rid of it as soon as possible. Stephen agrees to get rid of it when they return to headquarters. When they return, the Ghost Kid takes them to the infirmary to see if they can remove the symbiote. Having no other options, Stephen changes into Super “S” which removes the symbiote. The symbiote bonds with Brock, restoring him as Venom. Now with an added body, the trio decide to go take down Carnage.

Some time before I wrote this story, I did have plans to write and draw Super “S” meets Wolverine. I had even started work on it, drawing about a page and a half, I think. Since I never finished writing it but thought of it before writing this one, I considered it canon in my head, so I could make a reference that they know the same character from another comic. It’s an unnecessary moment, just like Spider-Man and the Ghost Kid saying each other’s name in a conversation. It’s there so I can say it happened.

Super “S”, Spider-Man, and Venom are searching the city for Carnage. Spider-Man suddenly gets a lead on Carnage’s location, after finding a trail of blood. Super “S” apparently spots Carnage and jumps over a bush just to kick Carnage in the face. Carnage comments about the many different forms of “S” he has seen before being punched in the face. Spider-Man then bashes Carnage with a double hammer fist. Venom then comes in with a solid uppercut. Super “S” throws another sonic emitter at Carnage, who quickly grabs it to destroy it. However, this one is reinforced and stronger but we are never told such things. The emitter knocks out Carnage and separates the symbiote from Cletus Kasady. The next day, Stephen says good-bye to Eddie Brock and Spider-Man as they head home, all while Cletus Kasady escapes from jail and bonds with Carnage once more. END

I wish I had done some extra research on the symbiote stuff in the comics. Granted, at this particular point in time, there was still plenty that was unwritten. I don’t believe their home world had been mentioned yet. But they were creating new unique symbiotes, and each one was an individual in some ways. Venom has maintained his identity while having different hosts. Sure, there might be some design changes for the host. But at the end of the day, the symbiote was still Venom. Having that information could have changed the narrative a bit. I honestly feel like this story has a slightly stronger narrative than the first.

I also really love the art on this one, but hate that I didn’t give it more room to breathe. Every panel feels cinematic but can only be seen in this tiny little box. This title is ripe for a remake.

I did have plans to for a third entry that would have focused on Norman Osborn hiring the services of Evil “S”, an clone of Stephen that went insane. Evil “S” would learn of Spider-Man’s secret identity and risks exposing him to the world. Having Spider-Man face off against the evil version of Stephen sounded like it could add some wrinkles into the narrative from the start. But I never really worked out a proper narrative for it. Might be time to give this story another look.

WOLVERINE MEETS SUPER “S”

Since I had so much fun playing with Spider-Man, I started to consider other crossovers featuring Super “S” and perhaps creating a series of crossovers. So, who would be the next candidate to crossover? Since I was more of a Marvel geek as a kid, I naturally chose Wolverine. He was the coolest character in comics, and I was familiar enough with him thanks to a little show on Fox Kids called X-Men. However, I didn’t quite work out the narrative. As I mentioned earlier, I had recently designed a new villain called Evil “S” who was meant to be a giant foil for Super “S”. I had not yet introduced him in my other comics. So IF I had written this to completion, this would have been his first official appearance. Not knowing who Evil “S” was at that time probably contributed to this story being shelved.

Stephen is back in New York, attempting to track down Evil “S”. Evil “S” gets the drop on Stephen, and the two tussle for a moment before Evil “S” scurries away. Later, Evil “S” comes across a giant chain link fence with a sign that says “No Trespassing”. Evil “S” sees it as a challenge and enters. Meanwhile in a mansion sitting on those very same grounds, an intruder alert is sounding. Wolverine checks with Storm on the situation. She mentions an intruder that is unknown to her. Wolverine also mentions that the intruder is unfamiliar, so he intends to introduce himself. So, in moments, Wolverine is outside confronting Evil “S”. Stephen finds Evil “S’s” trail and decides to transform into Super “S” before proceeding further.

Wolverine rushes Evil “S” but is punched in the face. As Evil “S” taunts Wolverine, Super “S” rushed in and tackles Evil “S”. Evil “S” attempts to hit Super “S” with a blade, but Super “S” catches it. Evil “S” then runs away again. Wolverine asks if Super “S” needs help, but Super “S” refuses…

While one part of me is sad I didn’t finish this story, another part of me is just because of the art. Now, I’m not knocking it as the worst thing I’ve ever drawn. But I needed to improve my technique for these stories. The technique I’m referring to was using other comics to give me a frame of reference for the characters that weren’t mine. Here, it seems many of the panels featuring Wolverine are extremely close-up, as if I didn’t give myself the space to draw. Hell, one panel is literally focused on his forehead.

As I mentioned before, I didn’t really know the character of Evil “S” at this point. His creation at this time was still evolving for me, so I think not having a clear vision of the villain probably didn’t help matters. I feel like I have a better understanding of who he is now, so perhaps I can revisit this story and work out a proper narrative.

THE DIAMOND UNIVERSE VS. THE HORROR MOVIES: DEMOLITION VS. PUMPKINHEAD

Sometime in the late 90s, I came up with this outrageous idea to have my comic book characters face-off against horror movie icons. I didn’t have much of an idea outside of just wanting to see these characters clash. So, I literally kept it simple. Don’t try to explain anything or complicate matters with a deep narrative. Just place the two characters in the area together and let them go at it.

With that as my guidance, I wrote out a list of different horror icons who would be best suited for a fight. I went through the gamut, ensuring I chose solid contenders. Characters like Pinhead from Hellraiser were omitted for obvious reasons. From there, I went through my own characters and chose the one I felt would be a decent match. This was also the one and ONLY series that utilized a new format, that’s more in line with actual comics.

Now if you are not at all familiar with the horror film genre or my characters, not to worry. For the first story, we have Demolition from The Eliminators fighting Pumpkinhead. Head over to the Eliminators page to learn about Demolition. Pumpkinhead is a demon that is resurrected by an old witch with the sole purpose of vengeance. That’s about as simple as I can make it.

Demolition narrates that he was in the area tracking a demonic presence. He hears the screams of a young woman and runs in pursuit of her. Demolition reverts to a human from before reaching her and asks what is wrong. She fumbles around until she mentions the name Pumpkinhead, and that’s when it appears. Demolition immediately attacks it with his hell beam and follows up with an uppercut. Pumpkinhead scratches Demolition across his abdomen, so Demolition hits it with another hell beam. Pumpkinhead then begins to transform with the young girl mentioning itis spreading its blood wings (?) Once it finished changing, it unleashes its own hell beam, knocking Demolition back against a tree. Pumpkinhead then grabs Demolition by the face and smashes his head into the tree. Demoltion falls to the ground where Pumpkinhead continues his assault.

Just then, a rock hits Pumpkinhead in the back of the head. Pumpkinhead turns around and sees the young woman it was previously pursuing. It turns his attention to her, giving Demolition an opening to tear off Pumpkinhead’s “blood wings” and shove them into its eye sockets. He then goes a step further and bashes them in deeper, effectively killing Pumpkinhead. Demolition reports in to the Eliminators and heads off. END

I will admit to powering up Pumpkinhead for this fight, even though it was really unnecessary. I guess I was trying to make him more formidable, but he could have easily just taken the hits. The term “blood wings” was used as the title and subtitle for a video game and the film’s first sequel, respectively. I wasn’t sure if the lore surrounding the term was ever explored, so I made something up. It led to a pretty awesome finisher, though!

THE DIAMOND UNIVERSE VS. THE HORROR MOVIES: MIRROR VS. LEATHERFACE

The character of Leatherface from The Texas Chain Saw Massacre is one of my favorite horror icons. Yet, I really only have love for a handful of the movies in the franchise. It’s a concept too many filmmakers have tried to replicate as opposed to doing something unique with it. I was not a fan of the remake/sequel from 2022. When I was deciding who would be a decent match for Leatherface, it felt only natural to chose Mirror. As equally interesting as it would be for Stephen to fight Leatherface, I already set his match up with my number one favorite horror icon: Jason Voorhees. Mirror was close enough and with the right personality for the showdown.

Mirror narrates that he was passing through Texas when he heard reports of brutal killings in the area and decided to investigate. His investigation led him to an old farm house. Mirror knocks on the front door, which is not closed. He cautiously opens the door while calling out for anyone. As he explores deeper into the house, he discovers an arrangement of furniture made from human bones. As Mirror stands in shock, Leatherface appears. Leatherface attempts to attack Mirror, but he quickly dodges the chainsaw, hops over Leatherface’s head, and heads out the door. Leatherface pursues him and becomes somewhat confused once he is outside, seeing no sign of Mirror. Mirror leaps off the roof of the farmhouse and tackles Leatherface. Mirror draws his sword and taunts Leatherface to fight him.

The sword and chainsaw clash. Mirror pushes the chainsaw up, giving him an opening to slash Leatherface across the stomach. He then takes the opportunity to kick Leatherface in the face, knocking him to the ground. Mirror then grabs Leatherface by the hair and smashes his face into the ground. As Mirror walks away, Leatherface recovers, grabs his chainsaw and attacks Mirror from behind, dragging the chainsaw across his back. Mirror is on the ground working through the pain when Leatherface goes to attack him again. Mirror dodges the attack and then kicks Leatherface in the chest, knocking him to the ground. Mirror quickly grabs his sword and thrusts it into Leatherface’s chest. Mirror stares at Leatherface for a moment to ensure he is dead and then walks away. END

I think this entry is my favorite out of the ones I finished, mainly because it felt like a pretty solid tussle. Although if I were to rework the idea just a bit, I probably would add in Leatherface’s brothers and expand the fight just a bit more. Maybe even change Leatherface’s outfit.

THE DIAMOND UNIVERSE VS. THE HORROR MOVIES: JACK VS. CHUCKY

I mentioned earlier that I omitted any horror characters from my list if I didn’t feel they were a viable fighter, so to speak. When it came to Chucky, I was a little apprehensive at first because I knew most, if not all, of my characters could easily defeat Chucky. However, when I started to consider a less conventional option, the possibilities opened. So I chose to pit the foul-mouthed little fucker against my own loose-lipped character: Jack Stickman.

In the city of Stickville, Jack Stickman is walking down the city sidewalk, complaining about murders in the area. He assumes it’s someone trying to pull some sick Halloween pranks. That’s when someone scares Jack with a Halloween mask, causing Jack to punch them. Jack suddenly hears a maniacal cackle coming from behind him, and turns around to see Chucky. After a little back and forth that leads to Jack calling Chucky a pervert, Chucky gets angry and lunges at Jack. Jack smacks Chucky across the face for calling his mom a bitch. Chucky tries again to attack Jack but is kicked in the face. Chucky jumps at Jack yet again, but Jack grabs him by the overalls and throws him to the ground.

Chucky becomes increasingly frustrated and tries stabbing Jack several times. Jack says that he spots Brad Dourif, causing Chucky to turn his head. This gives Jack the opportunity to punch Chucky in the face. As Jack goes to walk away from the fight, Chucky throws his knife at Jack, piercing his shirt. Jack falls to the ground and realizes that Chucky is the killer. When Chucky approaches to grab his knife and finish the job, Jack quickly recovers and punches Chucky directly in the nose. Jack tells Chucky that you can’t kill stick people like that, and proceeds to throw Chucky’s knife into Chucky’s head. END

This particular entry was written just to amuse myself. Jack was my way of playing with comedy and I felt like this needed to be more comedy than horror.