The Eliminators

The Eliminators is a series that started as something completely different than what it became. In fact, the history of this series and its characters is incredibly complex and somewhat fractured that it requires a few tangents along the way. Now, to fully understand all aspects, there will be a point that you may need to click on another page, mainly because those details are more relevant there. But in saying that, those details do not go back to the very beginning. So, if you choose to skip it, you shouldn’t miss any relevant information. With all that said, let’s get into it.

DEMON IN THE BOX

While the origins of the Eliminators themselves starts elsewhere, the story that built the foundation of the core team begins here. If I’m not mistaken, this comic was written sometime in 1992. At this particular moment of my life, I was a true horror fiend. I obsessed over slashers like Jason Voorhees and Freddy Krueger and one day decided that I wanted to make my own horror movie icon. Shouldn’t be hard, right? Just follow the tropes that all of the movies do. It wasn’t the best approach, but it got me started.

I guess this would be as good of a time as any to explain what I would consider a major anachronism. Prior to the writing of this story, I wrote what would be my first attempt at writing horror. Tasdevils 2020 continued the story of the character Stephen White thirty years after the events of Stephen’s Wacky Maze. Since I had already established this timeline, my thinking could have been to continue telling these stories in the future. But somewhere along the way, I forgot that I wrote this piece to take place in the future. So, when the character of Stephen appears as a superhero in The Eliminators, things become even more confusing. Needless to say, it’s a detail I completely forgot about and continued to forget about it.

I wish I knew the exact reason every single one of my comics from these early years required that every villain have their own fortress. Look over every single comic series I wrote, and I promise you there will be an enemy fortress in the final act. That and the main bad guy returning to life as a skeleton. Eventually, I moved away from these tropes, but I have to believe I was influenced by cartoons at the time.

In any case, Demon in the Box is terrible. It’s the word I’m choosing to describe it. Nothing in that narrative makes sense or is salvageable. And that version of Demonic is so far removed from what he becomes. This was a collection of ideas that I jotted down on paper in some form of succession and never gave it any real thought. The fact that Tasdevils 2020 makes more sense kind of aggravates me. BUT… I was a kid. I have to remind myself of those facts every now and then. The question remains… do the sequels improve or does it get worse?

DEMON IN THE BOX 2

Original concept art for Demon in the Box 2. As you can see by the plot synopsis, the Devil just replaced Demonic with the new demon, Demolition, which made Demonic turn good. Doesn’t make sense to me either but I was only twelve.

While I have no dates to refer back to, I would assume I wrote Demon in the Box 2 mere months, if not weeks after the original. At this point, I had begun to change my art style, giving my characters necks for the first time. But my ability to tell a coherent story was still lacking. Having mentioned my love for horror, I was deeply into the Puppet Master film series at this time. In 1991, Puppet Master III: Toulon’s Revenge was released and in the film, the main antagonists of the series were seen as the good guys of the story. The film even ends with a title card for the next film that indicated the bad guys were now good guys. Such an idea fascinated me that I wanted to play with that trope. And considering this series was ripe for sequels (in my mind anyway), I decided to see if this could be a worthy sequel.

Right from the start, I could tell this story was not going to improve much beyond the art. And even that isn’t much of one. Within the first three pages, so much has occurred but nothing of substance. And while I never gave it much thought as a kid, because why would I, I am really dumbfounded by this truce. Demonic was an absolute terror in the last story. He killed Zack’s parents, not to mention an infant! How is THIS a redeemable character? Zack should have zero interest in helping him, let alone being allies. The old adage, “The enemy of my enemy is my friend,” would have been very applicable here, but alas I chose not to explore a more dramatic alliance.

I would say this entry is slightly better than the original just because it’s more focused. But there are still plenty of things to pick apart. Especially the truce. I really don’t know why I never considered that before now. I feel like I know the answer, but we need to keep reading to be sure.

DEMON IN THE BOX 3

Original concept art for Demon in the Box 3

Since I had already featured a demon and then a bigger demon to be the antagonists, I felt the need to up the threat level. So instead of thinking of one different demonic threat, I thought of several. I felt this could really raise the stakes. And I wanted to be sure they were all unique in some way, which I succeeded with to some degree. Little did I know at the time that the team of demons introduced in Demon in the Box 3 would become a major threat going forward.

It was clear I had a plan to end the series at this point. It seemed inevitable that they would have to face off with THE big bad. But even in saying that, the poorly named team of demons known as the Diminishing Demons would prove to be a far greater threat to the Eliminators in the future. I also kept changing their designs in future appearances in an attempt to improve the original concepts. Hammer Ram became my favorite to design since his features were more unique. I’m still not sure what the hell the mask was supposed to be. It feels vaguely reminiscent of The Maxx.

The Diminishing Demons (2025)

DEMON IN THE BOX 4

Since things were left off with a “to be continued,” I didn’t waste time recapping anything. We just jump right into it.

At this particular moment, I closed the door on those characters because I wasn’t sure what was next for them. Plus, the formula was stale by this point. Stephen had faded away by part 3, proving that I caused a bit of an anachronism. And even the titular box disappeared by the third entry. But even as I say that, I was anxious to play with these characters again. I knew there were other possibilities for them. I just wasn’t sure what that was yet.

A drawing of Demonic that got me grounded as a teen, because my mother thought the community would label us “devil worshippers” or something. She’d probably deny that’s what it was, but that’s how I remember it.

DEMON IN THE BOX 5

This is a bit of a time jump but felt relevant for the current subject. At some point down the line, I had a new idea for a Demon in the Box. This story would feature a new cast of characters that had connective tissue to the original. For example, the main protagonist was meant to be Billy Lakewood, Zack’s nephew in the future. But having just read and reviewed the original four, that raises a few questions since Zack didn’t have any siblings to speak of. Furthermore, before finding the one-sheet above, I thought Billy was supposed to be Zack’s brother. But that too raised questions. Perhaps, he should have been a cousin. Or just not related at all.

The other idea that formed because of this idea was the fact that the demon we referred to as “The Devil” was not THE true devil, but one of many demons who had a name that people usually equate to “the devil.” So, in this story, the main antagonist is Satan. We would have eventually learned about his brothers, Lucifer, Beelzebub, and Darkness. Darkness would have been the demon responsible for Stephen’s woes in his series, Stephen’s Wacky Maze. Others would have been involved in additional stories, creating some connective tissue all around. Unfortunately, I never finished this entry. Or perhaps it’s fortunate considering the dialogue has only slightly improved.

Even though I never finished writing Demon in the Box 5, that never stopped me from thinking of more sequel ideas. I believe that when the idea for five came about, I immediately considered a sixth to team up everyone from previous entries. See? I was already planning legacy sequels long before anyone knew what that was. Demon in the Box VI: The Final Confrontation was planned to have been a huge story, which might have been why I never even started on it. That said, some of the details in the one-sheet, like the main demon’s name, has been repurposed elsewhere. You may also note some names that you may not recognize, but we’ll come back to that.

THE CLASSIC MOVIES

At some point in time, I was hellbent on remaking all of my old comics. Reading back over them, I can see why. The problem I kept running into was just because my art had improved didn’t mean the story was going to. And since I stubbornly refused to write out these stories, most of the remakes were nothing more than an idea of something I wanted to do.

Demon in the Box became on of those titles I really wanted to see updated, but was unsure how to fix many of the narrative problems it had. When I couldn’t sort out that problem, I pivoted to creating one long saga, thinking that could solve a few issues. But, as usual, I abandoned it. Twice, in fact.

THE TRIXTER SEQUELS

As I mentioned earlier, I was really eager to play with these characters again, and I wasn’t sure what direction to take them yet. One idea I had revolved around a character my best friend had sketched called Trixter. I was intrigued by the character and the small backstory he developed, so I wanted to incorporate it into another project. Eventually, I made it a standalone project which eventually had sequels. That is where Zack and Demonic come in.

Trixter 2 concept art

For whatever reason I had at the time, everything I wrote had to be connected. Even if I wrote something as a “film,” it was connected to all of my characters. They all co-existed. But in doing so, I created so many plot holes and anachronisms. We’ve already questioned the issue of what year the Demon in the Box series took place in. Demonic and Zack’s appearances in Trixter’s Revenge and Trixter: Resurrection raise more questions and complicate matters even further.

The idea was to bridge a gap that would lead to the formation of the Eliminators. Trixter introduced another character, Dan Vicestrom, that has ties to the Destructors as well. But since I did it unconventionally and the timelines are out of whack, it gets a bit complicated. So for the sake of clarity, we won’t count these events as canon. However, there will be a page on Trixter and The Destructors for the full context.

MIRROR VS. DEMONIC

In my attempt to bridge those aforementioned gaps, I would usually develop a project that could get me to the place I want to be. However, the project Mirror vs. Demonic was nothing more than a random story I wanted to tell. Venom was a popular villain in Spider-Man comics at the time. In some weird way, I saw Mirror as my version of Venom. Probably because he was a darker version of one of my characters. And for some strange reason, I wanted to see him fight Demonic. So, I concocted a standalone story that would allow them to face-off.

As I mentioned before, I wanted these two to fight and, by god, that’s exactly what I wrote. I didn’t try to overcomplicate it. I just put them in a room together and let them go at it.. Sometimes, simple is always better.

MIRROR VS. DEMONIC: ROUND 2

Considering the fun I had writing the first entry, I thought it could be fun for them to throw down again. Looking over this narrative, it’s almost like I wrote an alternate history, which would explain a few things.

THE ELIMINATORS: THE LIMITED SERIES

Through all of the side projects they went through, the idea to form a proper team seemed to come about when a name did. I had written a one-shot featuring members of the disbanded Destructors team coming together to save the President of the United States from a hostage situation. I named that story The Eliminators, probably because it was very similar to the Destructors. But eventually, the Destructors reformed which left this name dangling in the wind. So, I decided to put it to good use.

Clearly, this entry was nothing more than assembling the team together. It could have been a great opportunity to flesh these characters out more and feel out their dynamics. But I was just an impulsive kid who just wrote slapdash, especially when an idea wasn’t exciting me. You can even see it in the art that I wasn’t fully invested in this story.

I believe this was meant to be a full-fledged series. But when I couldn’t come up with a string of solid ideas to write from, I pivoted to making this a limited run series and tried to figure out what to do from there. I did love these characters. I just wasn’t sure how to properly integrate them into this world I was developing.

THE RETURN OF THE ELIMINATORS

Original one-sheet for The Return of the Eliminators. Although I will admit to digitally coloring the buildings. Apparently, I never finished drawing this one. Also take note of the synopsis as I originally planned for a different demon to be the antagonist. Not sure why I decided against that.

After some time had passed and I had left these characters dormant for a bit, an idea came to me for an Eliminators story that would be a bit of a crossover event. But considering I had closed the door on the series idea, I started thinking about the idea from a different angle. What if I wrote this as one of my “movie” ideas. An Eliminators movie? It would make sense considering where all of the characters started. So, I decided to push forward and make The Return of the Eliminators my first “comic book movie.”

I’m not sure which story was first adorned with “Diamond Pictures,” but I know it isn’t this one. I wish it was though since this felt like my first serious approach at the material. I’m not saying this is the stand out among them that truly shows what I’m capable of. But you can see that I’m actively working on character development. It’s not perfect, but I was at least trying.

After finishing this story, I realized that this was the proper approach going forward. The threats the Eliminators were facing were too big for a regular series. These were events. So, I decided that any ideas I had for the Eliminators in the future would be adapted as one-shot stories, or “movies” as I like to think of them.

Not sure when the idea came about, but apparently I had considered doing a remake of this story. As usual, I only got two pages in.

THE ELIMINATORS: CROLOX

Even with this new approach to the material, I didn’t have any great ideas waiting to be adapted. Some time during high school, I remember my best friend Jamin Sponaugle had come up with a new demon character. He mentioned that it was a different take on the son of the Devil. As opposed to doing a “Damien”-style story, he wanted to flip it on its head. Needing a new villain for my demon hunters, I expressed interest in adapting this story for the Eliminators, and even suggested that we collaborate on it.

The Eliminators vs. Crolox (2017)

The collaboration was meant to go beyond writing it. I thought it would be a great idea to draw it together as well. Little did I know how difficult that would be without a proper script. Fun fact, I never wrote scripts for any of my comics. They were written and drawn directly from my head to paper. This will explain many abandoned projects that I’ll talk about. I should have led with that information, but it never came up until now. In any case, we attempted to collaborate, but ultimately never finished. So, after high school, I worked to finish this story and remember being very proud of this one. Let’s see if it holds up.

I’m not sure why I decided to suddenly follow rules in this universe. Most demons before now just arrived on Earth whenever they damn well pleased. Looking at you Diminishing Demons! There may have been some logical reason I had, but nothing comes to mind now. Just feels odd to include that now considering everything prior. I don’t know. Let’s move on.

While I’m not frustrated at the idea of a contractual agreement between Heaven and Hell, I wish I had given this idea just a bit more thought. Conceptually, in the most basic form, it works. But when you begin asking more and more questions, it starts to fall apart. Perhaps, there is an easy solution to fix it, but something tells me it won’t be that easy.

The Devil makes his feelings known about Demonic and his team but acknowledges that without them Crolox would have succeeded. When Demonic asks for some clarity about what he’s trying to say exactly, the Devil turns around and walks away. Demolition asks Demonic if he expected a thank you, to which Demonic replies, “You know, for a second, I was.” END

I think I know now why I have always considered this one of my best stories. The narrative is pretty solid and the action is superb. Even if you don’t fully buy in to the whole “rules of engagement” bit, everything still works. While I do like a certain elements of the ending, it kinda feels a bit like a cop out when the Devil appears. I know what my intentions were at the time, but I’m not sure I earned that ending proper. The idea of the ultimate evil having the slightest inkling of gratitude fascinated me. Unfortunately, life has proven to me that not all bad people are redeemable.

This is actually one of the few stories that I finished right after high school and was probably one of the last I ever completed. I feel confident in saying it wasn’t the last. As I mentioned earlier, this was meant to be a collaboration with my friend, Jamin Sponaugle. But since I didn’t write any blueprints for the story, it stagnated until we both forgot about it. Fortunately, I have the original pages we worked on together, and you can see what we were attempting to do. I wanted him to draw Crolox and Top Hat, and I would draw the other characters. Not sure it was the best way to collaborate, but it was an idea nonetheless.

It does disappoint me that we never finished this or any collaboration together, but I am glad that I decided to include the character of Jamin in this story. Considering he had not been seen since Stephen’s Wacky Maze, it occurred to me that Jamin could be a superhero now. AND considering his love for horror, being a demon hunter would be right up his alley. So, I worked on creating a superhero persona for Jamin. I gave him a powered battled suit, à la Iron Man, and a trident-style weapon. Yet, I dubbed him Pitchfork. In any case, it felt right and long overdue. Although I would possibly workshop the name more now.

I lost my best friend on December 24, 2016. He was one of the few people in this world that understood my weirdness. Sometimes, I think he didn’t feel the same. Not that he didn’t understand me, but that I didn’t understand him in the same way. I often wonder what demons he was battling internally that led to his premature passing. I often wish I would have told him how much his friendship meant to me over the years. I have many regrets regarding it, but perhaps through these stories, he knew how I saw him.

Memorial sketch I made in honor of my friend.

UNDEVELOPED CONCEPTS

As I mentioned earlier, The Eliminators: Crolox was one of the last comics I ever wrote and drew. It was definitely the final Eliminators story. But I was unaware of that at the time and that didn’t stop me from thinking of new ideas. Considering the Diminishing Demons were a constant, I started thinking of ideas involving them. Coming up with new designs for the Diminishing Demons was something I enjoyed doing, so I started developing new looks and trying to decide what their next move could be. I even considered adding a fifth member that would turn out to be a spy for their boss.

It was also during this period that I had really worked on expanding the hierarchy of Hell. I wanted an entity known only as “The Devil” to be a dark void of a figure that is the epitome of evil. Hence, why he was nothing more that a shadowy figure in The Eliminators: Crolox. Hell would be comprised of the nine circles, each overseen by a powerful demon king. So, Lucifer, Satan, Beelzebub, Darkness, and Larathos got me more than halfway there. I really worked to make each demon look vastly different. I believed if I could get this element sorted out, it would open doors for numerous ideas for the Eliminators.

At one point during one of my planning phases, I had the idea of deconstructing the character of Stephen. In 1995, I had written a story arc in The Destructors where Stephen dies and was reborn as this all-powerful hero. The Death of Superman storyline had occurred during this time, so I obviously had to rip it off. Eventually, I thought about doing the opposite and putting his true heroics to the test. This would have led to him being depowered and feeling lost. The effects of his depression would have caused him to walk away from the Destructors. During this period of feeling like he had no purpose, he would reconnect with Jamin who invites him to join the Eliminators. This dynamic felt like it could be fun to explore since Stephen had been a leader for so long. To just be a member of the team would have changed things immensely.

When that idea came about, it led me down another path. I had built this legend around Stephen and his past, but Stephen’s Wacky Maze was devoid of any real detail. So, it became a situation of trying to retcon some details into those stories. Since I had created this new wrinkle with Stephen becoming all-powerful, I began thinking that this power could be given to someone else, all the same. So, when Stephen has a fall from grace, another person is tapped to pick up the mantle. That then led to me thinking about what that interaction would be like for Stephen, which led to me spiraling with so many ideas. Eventually the concept became known as Warriors of the Blood Moon.

The basic premise would have involved Jamin Sponaugle, still active as a hero and demon hunter, attempting to recruit a team to defend the world against a god-tier demonic threat. That alone raises about the Eliminators, which gets even more curious when you see Demonic looking like he crawled out of a dumpster. However, narratively it tracks, if you count the events in Trixter: The Resurrection as canon. Stephen would have been hiding out as a priest in a small town. The cast then would have rounded out with two new heroes, both of which were meant to represent the new heroes that have ties to an old legend. I truly feel as though there is a solid narrative in these ideas. There’s just quite a bit of backstory to fill in. I did actually start working on the story, but never got past the second page.

THE DAMNED

At some point in the early 2000s, I started to rethink my stories, characters, and the entire universe as a whole. I knew that most of my stories had so many plot holes and retcons that it was an absolute mess. So, I began to look at each big series that I had, and started asking questions about how I would approach the material today. And when I thought about the stories, I was focused on telling the best possible version of the story. Tying all of the characters together was the farthest thing from my mind at that moment.

Considering how drastically different every character had become from Demon in the Box to The Eliminators: Crolox, I knew I needed a fresh new approach. I started with Demonic, Demolition, Phorax, and Bazuza. If these were demons that were inherently good, the question became why are their souls damned for eternity? This then led to an introductory story for each demon that would show who they were in life, and what decisions they made that condemned their souls. Each demon would return to a familiar place in their life, struggling to remember who they were, but are soon confronted with the life they lost years before. That premise is what led to the series being renamed The Damned.

I developed backstories for each character and decided to rework the names of my main two demons. While Phorax and Bazuza sounded like they could pass for demons, the name “Demonic” is too on-the-nose. So, he became Demanak which is very similar. I didn’t work on that one too much. Demolition isn’t a bad codename, but doesn’t quite fit with everything else. So, I thought about a few different names and settled on Grathas. While I was adapting these stories using characters from The Eliminators, I knew trying to work in Mirror and Shadow would only complicate matters, so they were never considered.

I had strong hopes for this story. So much so that I wrote a treatment for Demanak’s introduction, which featured Zack as a police detective that interrogates him after he is arrested. This is something I actually did handwritten before I had my own PC. So, should I ever create a digital version of that treatment, I will post it here.

I wanted each demon to be, at their core, a good person who made some bad decisions that hopefully the audience could relate to in some way. I felt this helped their redemption arc feel more believable. I would love to see this idea developed fully and even turned into a series. There’s a solid narrative in there. I just need the time to craft it, which may never happen. So if not, I can look back on the idea fondly.

ADDITIONAL ARTWORK

Being reintroduced to these characters in this way really give me a new perspective on the material. While I have no delusions that something like Demon in the Box is demanding a rewrite, these characters have a life about them that I want to keep exploring. They are a motley crew of misfits that shouldn’t be working together but, for some reason, the dynamic works. Who knows? I may come up with another adventure for them.

THAT’S ALL FOLKS!